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78

82 Gerard Dillon (1916 - 1971)

Illustrated letter to John Hewitt, featuring

The Evening Star

, opposite

In 1955, Campbell and Dillon were finding it increasingly difficult to sustain a living as

artists. Their application to the Arts Council of Ireland

112

for funding was turned down.

In another letter Dillon asked John Hewitt if the Belfast Art Gallery could reserve ‘The

Evening Star’ before the opening of his joint show with Campbell at the Piccadilly Gallery

to ‘give the show a bit of importance’. Dillon received a disappointing reply.

113

The artists

did, however, meet a group of journalists around the same time in the Irish Club in Eaton

Square who supported and helped them organize their joint exhibition at the club. These

included Donal and Pat Foley, Wesley and Marian Boyd, Alfie and Yvonne McCann, Maura

and Willie Lloyd, Cathal og O’Shannon and pharmacist, Gerry Hanna.

Preparing for his first solo exhibition in Godfrey Pilkington’s Piccadilly Gallery in 1956,

Campbell was staying with Dillon at Abbey Road in November, 1955. Dillon asked Campbell

to accompany him by playing the guitar while he recited children’s songs for W.R.Rogers,

The

Return Room

114

that was broadcast by the BBC Home Service, 23rd December 1955. Rogers

had months earlier officially opened Campbell and Dillon’s joint exhibition of drawings and

paintings at the Piccadilly Gallery in June 1955.

112

Campbell wrote from Dublin, 28 April 1955, and Dillon (letter undated), c. 1955.

113

In a follow-up letter from Dillon to Hewitt, Dillon accepted that ‘a picture couldn’t be sold at the exhibition

in such a queer fashion’, 4 May 1955.

114

The print edition of

The Return Room

was published in 2010 with a CD of the original production, with

Rogers taking part as narrator. It features eighteen illustrations by Gerard Dillon.

fig.116: Invitation to Campbell and Dillon joint

exhibition at the Piccadilly Gallery, June 1955

fig.117: George Campbell and Gerard Dillon

joint exhibition catalogue, Piccadilly Gallery,

1955