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66

Towards the end of 1951, George and Madge persuaded Gerard Dillon to tour Spain with

them. A year later, Campbell recalled his trip: ‘Malaga sticks in my mind…because…I

remember the bars up alley ways, where the ecstatic gypsies held flamencos, jam sessions

and drank themselves into nerves for days.’

98

Inspired by the visit, Campbell chose Malaga as

his second home and visited annually in the winter until the end of the 1970s. For practical

and economic reasons he routinely transferred his sketches from Spain to oils in his studio

in Ireland. Evocative cool-grey West-of-Ireland landscapes and warmer toned subjects from

Andalucía characterized his exhibitions in the 1950s and 1960s. Pedregalejo, a small fishing

village not far from Malaga, became Campbell’s favoured location.

98

George Campbell, ‘This is Spain: A Painter’s Country’,

The Irish Press

, 25 January 1952.

fig.97: Gerard Dillon & George Campbell,

Spain, 1951

fig.98: Madge Campbell and Gerard Dillon,

Granada, Spain, 1951

fig.99: Spanish dancers, ‘El Pimpi’ nightclub,

1957

fig.100: Fishermen, Pedregalejó, 1954.