Background Image
Table of Contents Table of Contents
Previous Page  19 / 170 Next Page
Information
Show Menu
Previous Page 19 / 170 Next Page
Page Background

19

George Campbell and the Belfast Boys 2015

20

Daniel O’Neill (1920 - 1974)

Girl From The North

Oil on board, 51 x 61cm

Signed

Provenance:The

Lewinter-Frankl Collection

Similar to Dillon, O’Neill supported his artistic career by working (as an electrician) at

night while painting during the day. During the Blitz, Dillon and O’Neill made frames

from damaged timber and experimented with hand carving using the stones left over from

bombed buildings. In an interview, O’Neill recalled Dillon making ‘futuristic and surrealist

shapes’.

25

Consulting art books, O’Neill and Dillon admired Van Gogh and the early

Renaissance painters. Campbell preferred not to consult books and wanted to find out things

himself though trial and error. Despite being known for his ‘incessant chatter’,

26

Campbell

never liked discussing art, though he did remark in interviews in the 1960’s and 70’s that he

admired Braque, Goya, Zurbaran and Caravaggio.

25

Cecil French Salkeld, ‘Daniel O’Neill: A Critical Appreciation’,

Envoy

, Vol. 1. No.1 December 1949, p. 33.

26

James MacIntyre, op cit., p. 93.