Background Image
Table of Contents Table of Contents
Previous Page  152 / 170 Next Page
Information
Show Menu
Previous Page 152 / 170 Next Page
Page Background

152

The boys painted images of the Blitz and Dillon and O’Neill immediately responded to the

violence in 1969. Campbell’s reaction in 1973 also didn’t sentimentalize it but not everyone

accepted his depiction of the conflict. Joseph McWilliams recently commented ‘I was living

through it on a daily basis; he [George] lived in Spain for half the year and then painted thirty

pictures of the Troubles. I had difficulty with this.’

220

Living in Belfast in the 1970’s, Martin

Dillon offered another view, ‘Campbell never saw the Troubles in political terms but in

human terms. The loss of life and mayhem bothered him.’

221

The paintings went undetected

however, despite being included in two RTE documentary films

222

and the artist making

references to his ‘Belfast series’ in interviews in the late 1970’s. Since his death they have

been scantly referred to or in some cases not at all. None of his ‘Belfast series’ were included

in his retrospective exhibition in Drogheda, 1992 and none were chosen for inclusion for the

exhibition ‘Art of The Troubles’ in the Ulster Museum, 2014.

War and its effects had a profound impact on Campbell. Clearly agitated from the violence

in the North, he stated in one interview, ‘I just hate people murdering each other. And the

only way I can possibly make my comment, since I’m not used to words is to paint. I’ve seen

this violence before. I saw it in the 20’s and in the 30’s. I saw it in the Blitz.’

223

A year before

his death, he raised the issue of the conflict again in an interview exclaiming, ‘and now I’m

right back to the bombs again, the horrible still life of the North. Referencing his ‘Non-Head

Series’ and the continuation of the violence in the North, he added, ‘I’m still reacting to the

horror…maybe they’re our equivalent of witch doctors. Maybe we all need these dreadful

totem heads so we don’t have to see ourselves.’

224

220

Conversation with Joseph McWilliams, 24 January, 2014

221

Correspondence with Martin Dillon, 18 May, 2014.

222

Things Within Things’

, 1973 and ‘

George Campbell, A Tribute’

, June 1979.

223

Unidentified newspaper cutting in the Artist’s scrapbook

224

Ciaran Carty, op. cit.

fig.246: George and Madge Campbell

fig.247: George Campbell