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128

1970’s : The Troubles

In 1969, O’Neill was persuaded by George McClelland to return to Belfast and work for his

first solo show in eighteen years. Despite exhibiting in Montreal and Dublin, O’Neill’s lack of

exposure in Ulster meant his work was unfamiliar in his native city. With the help of George

McClelland and his partner Margaret Allen, O'Neill set up a new home and studio. The

works in the May 1970 exhibition were a departure from his moody romantic images. Figures

appeared in surreal landscapes and saturated vivid colour predominated the images. In the

autobiographical painting

The Beginning

, 1970, O’Neill depicts himself in his new studio

at Malone Avenue with his props, books and brushes. He stopped drinking and, with the

encouragement of Olympic gold medalist, Mary Peters, he joined McShane’s Health Club.

165

165

Interview with George McClelland, 20 October 2012.

fig.210: Daniel O’Neill, ‘Waiting For

Inspiration’, a self portrait

fig.211: Daniel O’Neill in his Belfast studio

fig.212: Daniel O’Neill, ‘The Beginning’

fig.213: Daniel O’Neill, ‘Belfast Expo 70’