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15 RODERIC O’CONOR (1860 - 1940) Au Bord de la RiviereOil on board, 54 x 48cm (21¼ x 19”)
Atelier stamp
Provenance: Vente O’Conor, Hotel Drouot, Paris 7 February 1956; with the Solomon Gallery, 1982 (Label verso);
Christies, London, 8 June 1984, Lot 100, where purchased by current owners.
Exhibited: The Solomon Gallery, Dublin (label verso)
This lively and expressive painting by Roderic O’Conor is revealing of his appreciation and understanding of the
pictorial possibilities inherent in the simplest of landscape themes. A narrow swirling river, a cluster of saplings
centrally placed on a river bank, and a receding meadow leading to a distant line of trees have been brought
together in this vigorously painted and colourful work.
What distinguishes this painting is O’Conor’s technical bravura through which he has resolved the work, apparently
without any traditional preliminary drawing. His method has been to use a range of brushes of different sizes, each
well charged with oil paint, and successfully integrating drawing and painting within the one activity. The painting
gives no specific clues as to its location, although the flatness of the receding field and the painter’s position close to
the river bank is suggestive of a wider river valley or landscape through which this rather agitated river is moving.
There is a possibility that this could be a tributary of the river Loing some distance downstream from the village of
Grez-sur-Loing to the south of Paris, where O’Conor was a frequent visitor and resident in the popular artists’
colony. As the river drops on its way to Montigny it gathers momentum on its approach to a large weir which spans
the river and which is a well known feature of the river at that point.
When originally surveyed in 1982, the painting had a Robinot Frères label on the back (which is no longer there)
giving their business address as 91 bis rue du Cherche-Midi, just a few yards from O’Conor’s studio at 102 rue du
Cherche- Midi, which he acquired in 1903. The firm of Robinot Frères specialised in packing goods and
merchandise, and it could be that O’Conor had a neighbourhood client who bought the painting from his studio sale
in 1956 and had it prepared and protected for shipping with Robinot Frères.
Roy Johnston, May 2017
€ 15,000 - 20,000