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11 ALOYSIUS O’KELLY (1853-1936) Portrait of a Young Breton GirlOil on canvas, 91.5 x 63.5cm (36 x 25’’)
Signed and dated 1905
Exhibited:
Re-orientations, Aloysius O’Kelly: Painting, Politics and Popular Culture,
Hugh Lane Gallery of Modern Art,
Dublin, 1999-2000, no 25.
Literature: Niamh O’Sullivan,
Re-orientations, Aloysius O’Kelly: Painting, Politics and Popular Culture,
Hugh Lane Gallery
of Modern Art, Dublin, 1999-2000; and Aloysius O’Kelly: Art, Nation, Empire, Field Day, 2010.
In the late nineteenth century, O’Kelly embraced increasingly naturalistic concerns, but this iridescent painting is
more modernist than usual from O’Kelly. The young girl is treated as an integrated element in the landscape, satu-
rated with hot colour. Nineteenth-century paintings of Bretons show women wearing distinctive white linen coiffes
and wide collars, dark skirts, waisted bodices, embroidered waistcoats, and heavy wooden sabots, but this modern
Mademoiselle is informal in her bare feet, and modern in her dress, showing the evolution of peasant life in Brittany
at the turn of the twentieth century.
Niamh O’Sullivan May 2017
€ 7,000 - 10,000