Table of Contents Table of Contents
Previous Page  68 / 184 Next Page
Information
Show Menu
Previous Page 68 / 184 Next Page
Page Background

68

61 NORMAN GARSTIN (1847-1926)

A Breton Pardon (1912)

Oil on canvas, 59.7 x 71cm (23½ x 28’’)

Provenance: The Artist’s studio. Later in the Irish Sale, Christies London, May 2003, Lot. 39 where purchased.

Literature: “Norman Garstin : Irishman and Newlyn Artist” by Richard Pryke 2005 Catalogue Raisonné listed Page 208 in year 1912.

Pardon days captivated a number of British, Irish and European artists who visited Brittany in the late 19th Century and early 20th century. A letter from Norman

Garstin to his daughter Alethea from 1912 is in the Garstin papers and seems to capture the moment depicted in this picture which occurred on a summer sketch-

ing party at Guémené sur Scorff in early July 1912: the party “suddenly came across a tiny church by a couple of farmhouses, very primitive and simple. Just as we

arrived the procession started, all peasants, some men and women carrying banners, and a few little red acolytes attending the priest in a yellow cape. The peasants

were all in costume coifs and lovely aprons, and, as they wound amongst the farm buildings, and thro’ the defiles of a little wood flecked with sun, they made lots

of delightful pictures. Then out into a meadow with apple trees where they sang and played on terrible trumpets, but it was all wonderfully pictorial. Then they filed

back again singing their ora pro nobis and came to the back of the church, where there was a great pile of brush wood. The people stood in a circle and the yellow

robed priest set fire to the great pile … the effect was really delightful and pagan. It was St. John’s Eve and these fires come down from the druids tho’ the good

people did not know it. I stood on a cart and made a scribble … but can not help that it would make a jolly subject to a fairly large picture.”

It would appear that this work and a larger work exhibited at the 1913 Royal Academy Exhibition were a result of this encounter. This work remained in the artist’s

collection and was in his studio at the time of his death.

Our thanks to Richard Pryke whose writings on Garstin formed the basis of this catalogue entry.

€ 6,000 - 10,000

60 RICHARD THOMAS MOYNAN (1856-1906)

Fallen Angel

Oil on canvas, 65.5 x 50cm (25¾ x 50cm)

Provenance: This work is a picture of the artist’s niece and was

gifted by him to his sister Anna Allen and her hus-

band Wentworth Allen. It was subsequently sold in

1939 as part of the Shanganagh Castle Estate.

Our thanks to Maebh O’Regan whose writings on the artist formed

the basis of this catalogue entry.

€ 2,000 - 4,000