

Oil on canvas, 41 x 56cm (16¼ x 22”)
Signed
Provenance: Dawson Gallery, Dublin, inscribed with title on label verso. Sold Important Irish Art Sale these
rooms 23rd March 2005, Cat. No.106, where purchased by the current owner.
Exhibited: Thought to be exhibited ‘
Norah McGuinness Exhibition
’, Dawson Gallery 1959, catalogue No.8
under title ‘Liffey’
Terence de Vere wrote of McGuinness:-
“Norah McGuinness, like the majority of our better artists, was born in Northern Ireland; but her art
training began in the Dublin College of Art. From there she went to London and then to Paris, where she
worked in the studio of Andre L’Hote.The Paris experience might have been decisive as it was the case of
Evie Hone and Mainie Jellett who worked in the same studio. The coincidence was fruitful in another way.
These artists joined forces to inaugurate the annual exhibition of Living Art, a rival to the Royal Hibernian
Academy’s exhibitions which, they believed, had become sterile. But L’Hote, as a painter, did not have any
permanent effect on McGuinness. She was by nature the least cubist of beings. One might as well have
tried to imprison the painters of baroque in a pattern of rigid squares. Her style is more reminiscent of
Vlaminck. She is essentially decorative; and there is no element of cerebration in her work. It is free-flow-
ing and, usually, joyous. Her colour sense is where she is most reminiscent of Vlaminck. The later sombre
Norah McGuinness is more impressive than the earlier. But essentially her art is decorative, and in her
drawing she is always witty, gay and inventive.”
€ 7,000 - 10,000