ADAM'S Fine Asian Art 25th June 2025

98 | ADAM’S 272 A GILT AND RED-GROUND ‘EIGHT BUDDHIST AUSPICIOUS SYMBOLS’ LACQUER BOX AND COVER 清雍正/乾隆识文描金、银八吉祥福寿纹捧盒 China, Yongzheng or Qianlong period The circular domed cover decoratedwith chrysanthemumblossoms, centredwith a redmedallion formed by eight ruyi-shaped heads, each enclosing one of the Eight Auspicious Symbols: the parasol, golden fish, treasure vase, lotus flower, conch shell, endless knot, victory banner, and the Dharma wheel. The central ruyi-head motif is framed with gilt decoration, the sides are encircled with a band of bats and peaches, symbols of blessings and longevity, while the rim features a border of black florets outlined in gilt. The box is similarly decorated. The interior and base are finished in imitation of the Japanese nashiji technique. D.41.2cm € 30,000 - 50,000 Note Boxes of this type, employing the shuwenmiaojin (gilded inscription andmotif) technique on a large scale, were fashionable in theQing imperial court. Comparable examples are preserved in the PalaceMuseum in Beijing. The Eight Auspicious Symbols of Tibetan Buddhism the parasol, golden fish, treasure vase, lotus flower, conch shell, endless knot, victory banner, and Dharma wheel are powerful emblems of prosperity, protection, and spiritual enlightenment. During the Qing dynasty, especially under the reigns of emperors who actively supported Tibetan Buddhism, these symbols became prominent decorativemotifs in the im- perial court. They were frequently incorporated into palace objects such as porcelain, lacquerware, jade carvings, and imperial furniture. Their presence not only reflected the emperor’s patronage of Buddhism but also served as auspicious blessings within the material culture of the Qing court.