Adam's FINE ASIAN ART Part I 28th & Part II 29th June 2022

374 TRAN VAN HA (VIETNAM, 1911-1974) ECOLE DES BEAUX-ARTS DE L’INDO- CHINE (INDOCHINA FINE ARTS COLLEGE), 1935TH CLASS Les Quatre Saisons ou Les Quatre Gen- tilshommes (The Four Seasons of the Four Noblemen) A large lacquered wooden quadriptych Inscribed with a calligraphy on the far-right panel Also signed on the far-right panel Framed 33 x 67,4 cm € 800 - 1,500 372 AN INTRICATELY CARVED ‘DRAGON, QILIN AND BAT - R Ồ NG, KỲ LÂN AND CON D Ơ I’ WOODEN INCENSE BURNER STAND OR ALTAR TABLE VIETNAM, LATE NGUYEN DYNASTY, CIRCA 1880-1900 Of square shape, resting on four tubular legs. The apron is openworked on each side with open-worked confronted qilin and centered by a bat together with a coin. The legs are unusu- ally and very finely carved on two layers with coiled dragons. H: 85 cm - Side (the top): 56,5 cm € 600 - 800 373 NGUYEN QUANG MAU (VIETNAM, 20TH CENTURY) Poissons rouges de l’Abondance / Goldfish of Abundance / 金玉滿堂 A lacquered wooden vase Signed on the base H: 27,4 cm € 200 - 400