Adam's FINE ASIAN ART Part I 28th & Part II 29th June 2022

180 366 A LARGE ‘RIVER LANDSCAPE’ BIEN HOA 边和 STONEWARE FAC- ETED VASE OF PHOENIX-TAIL SHAPE, FENGWEIZUN BY THE STUDIO OF NGUYEN THÀNH LÊ (1919-1923) VIETNAM, BIEN HOA 边和 SCHOOL OF APPLIED ARTS, 20TH CEN- TURY Heavy potted, it rests on a short foot and has as a faceted elongated body of trapezoidal shape surmounted by a faceted trumpet shape neck. It is adorned in brown, blue and green with a river landscape planted with pine trees. The base bears an impressed mark both in ch ữ nôm and West- ern language reading ‘Thành Lê’ as well as a number: ‘6’. H: 57 cm € 600 - 800 367 *A LARGE BIÊN HÒA 边和 STONEWARE VASE OF ARCHAISTIC HU BRONZE SHAPE VIETNAM, BIÊN HÒA 边和 SCHOOL OF APPLIED ARTS, SECOND HALF OF 20TH CENTURY This bronze imitation vessel is heavily pot- ted. Of faceted shape, it rests on a spread foot, has an elongated pear-shaped body, a waisted shoulder and an everted neck. The neck and the body are linked together with two applied handles. The vessel is painted all over in green to imitate bronze patina but for reserved biscuit parts shaped as cicada and taotie masks. The base bears an impressed mark: ‘ 边和 ’, lit. ‘Biên Hòa’. H: 32,8 cm € 800 - 1,500 368 § A MOTHER OF PEARL AND MIXED METAL INLAID ‘BIRDS, FLOWERS AND HARES’ WOODEN PANEL POSSIBLY TONKIN AND NAM DINH, LATE NGUYEN DYNAS- TY, LATE 19TH CENTURY Of vertical rectangular shape, it is finely inlaid with mother of pearl and mixed metals (copper and brass) to introduce a polychromic effect. It depicts birds, bamboo as well as two hares or rabbits. H: 81,7 cm - width: 20,5 cm € 600 - 800