Adam's The Irish Library Wednesday 17th April 2019

20 Engravings with original hand-colouring. Only two years before he died in 1520, Raphael undertook a monumental commission for Pope Leo X: a vaulted arcade within the private apartments of the Vatican. Inspired by recent excavations in Pompeii and the Campagna, Raphael covered the Loggia’s walls and ceilings with painted ornament in the antique style. Like Leonardo and Michelangelo, Raphael was inspired by the rebirth of classical art and learning that characterized the Renaissance. For the Loggia, he created a fascinating mixture of formal and “gro- tesque” elements (“Grotteschi” were subterranean grottos which the Romans painted as their fancy dictated: shells entwined with beasts, history combined with mythology). The Loggia became known as “Raphael’s Bible,” not only for its Biblical paintings but also for its decorative invention. The engravings of Raphael’s Loggia were published two and a half centuries later in Rome (1772-1777). One of the most luxurious HQJUDYHG SURMHFWV RI WKH WK FHQWXU\ /H /RJJLH GL 5D΍DHOOR ZDV WKH ȴUVW WR UHSURGXFH WKH JUHDW IUHVFRHV E\ 5DSKDHO DQG KLV SXSLOV in the Vatican. It was the result of a collaboration between the painter Gaetano Savorelli, the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato, all of whom took active interest in preserving for posterity and making available to contemporaries the splendors of the Vatican. Under the patronage of Pope Clement XIV, this gifted team of artists set out to copy QRW PHUHO\ 5DSKDHOȇV ELEOLFDO SLFWXUHV EXW WKHLU ZRQGHUIXO RUQDPHQWDO VXUURXQGV ULFK LQ SDWWHUQ DQG JURWHVFKL 7KH PDJQLȴFHQW engravings that resulted from their collaboration are extraordinarily faithful to Raphael’s originals, even more so because they were hand-colored using gouache, a thicker and more opaque pigment than the more common watercolor that was used to colour prints. 9LYLG DQG VXPSWXRXV WKHVH ODUJH VFDOH ZRUNV DUH DPRQJ WKH PRVW PDJQLȴFHQW HQJUDYLQJV WR KDYH RULJLQDWHG LQ WKH WK FHQWXU\ Beyond their purpose as records of Raphael’s frescoes, these splendid engravings served as inspiration for generations of Neo-Clas- sical artists and designers. 21 GIOVANNI OTTAVIANI (1735-1808), AFTER GAETANO SAVORELLI /H /RJJLH GL 5D΍DHOOR 5DSKDHOȇV /RJJLD Rome, 1772-1777 A set of ten, coloured engravings, 65 x 57cm Com Privilegio N. Clementis € 4000 - 6000