ADAM'S Fine Jewellery & Ladies Watches 2nd December 2025

TUESDAY 2 ND DECEMBER 2025 . STARTING AT 4PM 47 CARTIER: A TRI-COLOURED GOLD BRACELET Composed of a continuous row of tri-coloured interlinked hoops, in 18K gold, signed Cartier Paris, numbered, with par- tial maker’s mark for Gross, French assay marks, with two addi- tional later links, length 21cm € 3,000 - 4,000 48 BOUCHERON: A SAPPHIRE FLOWER BROOCH, CIRCA 1960 Designed as a stylised flowerhead, the petals applied with an organic texture and pistils set with cushion-shaped sapphires, mounted in 18K gold, signed Boucheron Paris, with maker’s mark ‘ER’ for Edouard Richards, French assay mark, length 4.5cm € 2,500 - 3,500 Edouard Richards, French workshop from Paris, which worked for many jewellery houses such as Boucheron, Fred and many others. 49 A GOLD BEAD NECKLACE Designed as a single strand of graduated gold beads, meas - uring from 5.1 to 11.9mm, thread on a cable-link chain neck - lace, in 18K gold, Italian registry mark, partial maker’s mark, length 42.5cm € 2,000 - 3,000 50 A 19 TH CENTURY MICROMOSAIC BRACELET Designed as six oval-shaped micromosaic medallions, each depicting views of Antique Rome on black glass background views including Saint Peter’s square at the Vatican, Temple of Vespasian, the Colosseum, the Pantheon, the Temple of Ves - ta and the Arch of Titus, mounted in 18K gold, French import mark, in fitted case, length 20cm € 800 - 1,200 51 ROLEX: A STAINLESS STEEL ‘OYSTER PERPETUAL DATEJUST’ WATCH 31-jewel Cal-2235 automatic movement, circular silvered dial with baton indicators with luminous dots, inner min- ute rail andmagnifieddate aperture at 3, luminous hands, on a fitted stainless steel Oyster bracelet with deployant clasp, serial no. Y173510, dial, case andmovement signed, with Rolex certificate stamped by Bucherer in Switzerland dated 2002, case 26mm € 1,200 - 1,800 Micromosaic jewellery is a distinctive art form that emerged in Italy in the late 18th century, reaching its height of popularity in the 19th century. Crafted from hundreds, sometimes thousands, of tiny glass tesserae known as smal - ti: these pieces were assembled by hand to create detailed miniature images, from floral bouquets and architectural views to classical motifs. The technique developed primarily in the workshops of Rome and the Vatican, where skilled artisans produced mi - cromosaics as souvenirs for wealthy Grand Tour travellers. The precision required to cut, shape, and set each minus- cule element made these jewels prized for their refinement and artistry.